תוכן ראשי
קישור לקובץ (נפתח בלשונית חדשה בדפדפן)
Guter, E. (2024) Wittgenstein on Music. Elements in the Philosophy of Ludwig Wittgenstein Series. Cambridge: Cambridge
University Press, 2024. 80 p.
Guter, E. & Guter, I. (2023). Thinking Through Music: Wittgensteins Use of Musical Notation. The Journal of Aesthetics and Art Criticism 81(3), 348-362.
Guter, E. (2024). Carl Stumpf and the Curious Incident of Music in Wittgensteins Tractatus. Archiv f?r Geschichte der Philosophie. https://doi.org/10.1515/agph-2021-0141. Guter, E. (2022). Wittgenstein on Varieties of the Absurd in the Music of Interwar Austria. In K. Kokai (ed.), Zeit der Unkultur. Ludwig Wittgenstein im ?sterreich der Zwischenkriegszeit. Vienna: NoPress, 185-202.
Guter, E. & Guter, I. (2023). Seeing One Another Anew with Godfrey Reggios Visitors. In C. Fox and B. Harrison (eds.), Philosophy of Film, Without Theory. Film Studies and Philosophy Series. Basingstoke: Palgrave Macmillan, 191-204.
Guter, E. (2023). Music as Knowledge of Human Beings. In C. Carmona, D. Perez-Chico, and C. Tejedor (eds.), Intercultural Understanding After Wittgenstein (Anthem Studies in Wittgenstein). London: Anthem, 2023, 77-91. [Published online by Cambridge University Press]
Guter, E. & Guter, I. (2023). Seeing One Another Anew with Godfrey Reggio’s Visitors. In C. Fox & B. Harrison (Eds.), Philosophy of Film, Without Theory. Film Studies and Philosophy Series. Basingstoke: Palgrave Macmillan Guter, E. & Guter, I. (2021). Susanne Langer on Music and Time. Estetika: The European Journal of Aesthetics 58 (1), 35-56. Guter, E. (2020). The Philosophical Significance of Wittgenstein’s Experiments on Rhythm, Cambridge 1912-1913. Estetika: The European Journal of Aesthetics 57(1), 28-43. Guter, E. (2020). Measure for Measure: Wittgenstein’s critique of the Augustinian picture of music. In H. Appelqvist (Ed.), Wittgenstein and the Limits of Language (pp. 245-269. Routledge Studies in Twentieth-Century Philosophy. London: Routledge. Guter, E. (2019). ‘A small, shabby crystal, yet a crystal’: a life of music in Wittgenstein’s Denkbewegungen. In B. Sieradzka-Baziur, I. Somavilla, & C. Hamphries (Eds.), Wittgenstein's Denkbewegungen. Diaries 1930-1932/1936-1937: Interdisciplinary Perspectives (pp. 83-112). Innsbruck: Studien Verlag. [An imprint of Haymon Verlag] Guter, E. (2019). Musical Profundity: Wittgenstein’s Paradigm Shift. In C. Carmona (Ed.), Special Issue: Wittgenstein, Music and Architecture. Apeiron. Philosophical Studies 10, 41-58. Guter, E. (2017). Wittgenstein, Modern Music, and the Myth of Progress. In I. Niiniluoto and T. Wallgren (Eds.), Special Issue: On the Human Condition – Essays in Honour of Georg Henrik von Wright’s Centennial Anniversary, Acta Philosophica Fennica 93, 181-199. Guter, E. (2017). Wittgenstein on musical depth music and our knowledge of humankind. In G. Hagberg (Ed.), Wittgenstein on Aesthetic Understanding (pp. 217-247). Philosophers In Depth. Basingstoke: Palgrave Macmillan. Guter, E. & Guter, I. (2015). Impurely Musical Make-Believe. In A. Bareis & L. Nordrum (Eds.), How to Make Believe: The Fictional Truths of the Representational Arts. Narratologia. 49 (pp. 283-306). Berlin: De Gruyter. Guter, E. (2015). The Good, the Bad and the Vacuous: Wittgenstein on Modern and Future Musics. Journal of Aesthetics and Art Criticism 73(4), 2015, 427-439. Guter, E. (2011). 'A Surrogate for the Soul': Wittgenstein and Schoenberg. In E. De Pellegrin (Ed.), Interactive Wittgenstein: Essays in Memory of Georg Henrik von Wright. Synthese Library 349 (pp. 109-152). New York: Springer. Guter, E. (2010). Aesthetics A-Z. Edinburgh: Edinburgh University Press, 2010. xiv, 237 p. Guter, E. (2005). An Inadvertent Nemesis: Wittgenstein and Contemporary Aesthetics. British Journal of Aesthetics 45(3), 2005, 296-306. Guter, E. (2005). Ornamentality in the New Media. In A. Biletzki (Ed.), Hues of Philosophy: Essays in Memory of Ruth Manor (pp. 83-96). London: College Publications. Guter, E. (2002). Anti-Mimesis Live. In R. Lorand (Ed.), Television: Aesthetic Reflections (pp. 139-160). New York: Peter Lang.
Guter, E. (2024). Carl Stumpf and the Curious Incident of Music in Wittgensteins Tractatus. Archiv f?r Geschichte der Philosophie. https://doi.org/10.1515/agph-2021-0141. Guter, E. (2022). Wittgenstein on Varieties of the Absurd in the Music of Interwar Austria. In K. Kokai (ed.), Zeit der Unkultur. Ludwig Wittgenstein im ?sterreich der Zwischenkriegszeit. Vienna: NoPress, 185-202.
Guter, E. & Guter, I. (2023). Seeing One Another Anew with Godfrey Reggios Visitors. In C. Fox and B. Harrison (eds.), Philosophy of Film, Without Theory. Film Studies and Philosophy Series. Basingstoke: Palgrave Macmillan, 191-204.
Guter, E. (2023). Music as Knowledge of Human Beings. In C. Carmona, D. Perez-Chico, and C. Tejedor (eds.), Intercultural Understanding After Wittgenstein (Anthem Studies in Wittgenstein). London: Anthem, 2023, 77-91. [Published online by Cambridge University Press]
Guter, E. & Guter, I. (2023). Seeing One Another Anew with Godfrey Reggio’s Visitors. In C. Fox & B. Harrison (Eds.), Philosophy of Film, Without Theory. Film Studies and Philosophy Series. Basingstoke: Palgrave Macmillan Guter, E. & Guter, I. (2021). Susanne Langer on Music and Time. Estetika: The European Journal of Aesthetics 58 (1), 35-56. Guter, E. (2020). The Philosophical Significance of Wittgenstein’s Experiments on Rhythm, Cambridge 1912-1913. Estetika: The European Journal of Aesthetics 57(1), 28-43. Guter, E. (2020). Measure for Measure: Wittgenstein’s critique of the Augustinian picture of music. In H. Appelqvist (Ed.), Wittgenstein and the Limits of Language (pp. 245-269. Routledge Studies in Twentieth-Century Philosophy. London: Routledge. Guter, E. (2019). ‘A small, shabby crystal, yet a crystal’: a life of music in Wittgenstein’s Denkbewegungen. In B. Sieradzka-Baziur, I. Somavilla, & C. Hamphries (Eds.), Wittgenstein's Denkbewegungen. Diaries 1930-1932/1936-1937: Interdisciplinary Perspectives (pp. 83-112). Innsbruck: Studien Verlag. [An imprint of Haymon Verlag] Guter, E. (2019). Musical Profundity: Wittgenstein’s Paradigm Shift. In C. Carmona (Ed.), Special Issue: Wittgenstein, Music and Architecture. Apeiron. Philosophical Studies 10, 41-58. Guter, E. (2017). Wittgenstein, Modern Music, and the Myth of Progress. In I. Niiniluoto and T. Wallgren (Eds.), Special Issue: On the Human Condition – Essays in Honour of Georg Henrik von Wright’s Centennial Anniversary, Acta Philosophica Fennica 93, 181-199. Guter, E. (2017). Wittgenstein on musical depth music and our knowledge of humankind. In G. Hagberg (Ed.), Wittgenstein on Aesthetic Understanding (pp. 217-247). Philosophers In Depth. Basingstoke: Palgrave Macmillan. Guter, E. & Guter, I. (2015). Impurely Musical Make-Believe. In A. Bareis & L. Nordrum (Eds.), How to Make Believe: The Fictional Truths of the Representational Arts. Narratologia. 49 (pp. 283-306). Berlin: De Gruyter. Guter, E. (2015). The Good, the Bad and the Vacuous: Wittgenstein on Modern and Future Musics. Journal of Aesthetics and Art Criticism 73(4), 2015, 427-439. Guter, E. (2011). 'A Surrogate for the Soul': Wittgenstein and Schoenberg. In E. De Pellegrin (Ed.), Interactive Wittgenstein: Essays in Memory of Georg Henrik von Wright. Synthese Library 349 (pp. 109-152). New York: Springer. Guter, E. (2010). Aesthetics A-Z. Edinburgh: Edinburgh University Press, 2010. xiv, 237 p. Guter, E. (2005). An Inadvertent Nemesis: Wittgenstein and Contemporary Aesthetics. British Journal of Aesthetics 45(3), 2005, 296-306. Guter, E. (2005). Ornamentality in the New Media. In A. Biletzki (Ed.), Hues of Philosophy: Essays in Memory of Ruth Manor (pp. 83-96). London: College Publications. Guter, E. (2002). Anti-Mimesis Live. In R. Lorand (Ed.), Television: Aesthetic Reflections (pp. 139-160). New York: Peter Lang.